Picture book spread

This one has been a long time coming! I first started work on this book idea two years ago. Ahhh, I remember it like it was yesterday - I was visiting my partner at Uni. We were in the Cambridge maths building, and I was using one of the big whiteboards to sprawl out all my ideas. Probably one of the first times in that building a white board had been used to plan out a picture book! It was just a seedling of an idea, to show the inner workings of a bug hotel through the lens of a child tour guide. I worked on this idea on and off for two years, spending a few weeks chipping away at it, then not touching it for a few months before picking it up again to rinse and repeat. The thing is, so much work goes in to putting together a picture book pitch, and none of it is paid work which makes it tricky. When the thing you are truly passionate about and want to turn into a career doesn’t currently make you any money, other things which pay the bills take a higher priority… hence the two year timeline!

Here’s everything I needed to make to be able to pitch this book to publishers:

  • Final manuscript (this required many, many drafts and revisions)

  • Complete story board (each spread drawn out to an acceptable standard with the text placed inside)

  • Finished designs of each character

  • Two fully illustrated spreads

  • Extra art work to flesh out the world and story

  • A physical miniature version of the book to show all the interactive paper elements (pull tabs, flaps, pop ups)

  • Email banner to grab the attention of the editor looking through book submissions

  • A short video introducing myself and the book

  • A big old PDF showing off everything I made

All this work, just to have the chance for someone with the ‘book making power’ to look at it. The world of picture books is a very tough world to get your foot in the door…

I must say, I haven’t been doing this completely alone; my picture book agent has been a valuable guide in this journey, offering much needed advice and amendments, especially when it came to the writing - something I really struggled with.

Making this illustration was one of the last jobs on my to do list for this submission, and I was determined to make something which showed off what I can do when I really put my mind to it. Above and below you can see the various stages of planning for page 1 of my book, ending with my colour mock. I put a lot of time in to this plan so that when I get to making the final, most of the decisions have already been made, taking some of the pressure off. This way I can focus more on deciding which media to use for which section. Working mixed media can feel a little bit like decision overload at points. Yes, I need to make a green patch of grass, but what to I make that green patch of grass out of when I have a desk filled with 8 different media which can all be layered in what feels like infinite possibilities… I’m prone to overthinking!

Time to start making. I started with a very blended watercolour wash over the whole piece. I love the contrast of a super soft background, with the sharper collaged focal points on top. I used a mix of Gouache and pan pastels for the base of the tree which I working back into with paint pens, crayons and pencil.

 
 

I started to paint the fore ground flower patch with gouache when i realised it was looking a little boring… luckily I had a trick up my sleeve. A few days before making this piece, I had gotten my self a gelli plate (essentially a squishy rectangle of plastic) which you can make some really fun prints with. I spent the day trying to wrap my head around this new texture making technique. I came away from it feeling mostly satisfied with my experiments, although theres a lot more for me to learn before I call my self a gelli plate master! I did make this lovely texture, and as soon as I pealed it up from the plate, I knew I had to use it somewhere in my bug hotel book and the flower patch was the perfect place.

 
 

After around 5 days of work, page one was complete! Time for page two. This one would be much easier!

 
 

To make the book I started by painting collage papers, trying to achieve a ‘this book has been well loved by a child gone rogue with art supplies’ look. I pieces this together using a template I had drawn to make all the shapes fit together, and had a lot of fun decorating it in a child like way!

 
 
 
 

After I spent the afternoon trying to draw like a kid, my non dominant hand was very useful, I had all the ingredients to start piecing the page together. This took a few days of photoshop work, which is too boring to type about, and finally it was complete. Here you can see what the book flap would look like open.

What a nice feeling to have finished something which has been bubbling around in my head for so long. And while I don’t know the fate of this book, when and if it will ever be chosen as good enough by someone with the power, I will forever be proud of myself for doing this. For completing this thing which I have thought about everyday for two years.

 
 
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Shoal illustration